Swimming in the warm glow of success Zindagi Na Milegi Dobara, where she played Natasha, tense and the bride and Abhay Deol accidentally, Kalki Koechlin actress is back on the big screen this week, that girl with yellow boots to try his strength in a city hostile to the search of their roots.
Koechlin, unusual features mysterious face that launched her husband and director Anurag Kashyap for the first time, Dev D, school girl turned sex worker Leni. Critical, then they were confused about what position to take. It has never been close to the traditional "heroine" of material, but it was surprisingly clear in his works.
It seemed innocent, even though it has attracted customers by telephone in several languages. Chanda, another name for his character, but it just seemed powerless, even in scenes where the company makes fun of her.
She was the revelation of the film, especially for those audiences who had heard of the "telephone call", but had never seen the divas behind the voice. She played in the objective function of sensitivity, rather Chanda any "vaporous" perception. His frail, along with silence deliberately used Kalki is credible.
Dev D Kalki was the next after Shaitan, Anurag Kashyap other production, which was a challenging role of a young woman with mental disabilities. Again he remained true to his character. At that time, when new Bollywood actresses like Sonam, Deepika, Asin and others are busy doing the same kind of role in film after film, showed the promise of experience. It is true that not considered a fan of people, but began to spread in a continuation of the fan.
ZNMD not give him ample opportunity to stand out among the crowd, but she tried to leave his mark. She was not given a lot of Punch Lines and screen time. In a nutshell, it was just filler.
One thing that makes it special is the Kalki his writing skills. Sometimes it seems that Kalki trying too hard to stay faithful to the narrative of the author, rather than his instincts. For example, take these scenes from Shaitan, where you're trying to repeat the clichés, because the writer had put them on paper, in which he could easily keep track of your method works. This is reflected in a confrontation scenes in particular.
Scripture Kalki will be under the scanner with the release of the girl in yellow boots, which she co-authored, but the relay passed the screen Cine TGIYB and promotions to give the first advantage.